marathon06.org

Saturday, February 25, 2012

Syrian forces have been shelling the Baba Amr district of Homs, Syria for almost a month. Civilians and journalists are amongst the dead, and Wikinews spoke to a local citizen journalist, attracting attention both from the world’s media and from the Syrian Armed Forces. According to Wikinews’ source, much of Homs is without water, and a city facing starvation.

Syrian forces began a ground assault on Homs February 4, using troops, and bombarding the city with tanks and artillery. To this day, the bombardment continues. Soldiers frequently clash with anti-government protesters, and ‘freedom fighters’ of the Free Syrian Army in violent, often deadly encounters. In the Baba Amr district of the city, “Omar” [for his safety, we only use his first name, Ed.], a citizen journalist with the Homs Media Center, created an account on the Bambuser website where users can stream live footage from PCs or mobile phones. He then pointed a camera out of his home, overlooking the city, and began broadcasting footage live on the Internet.

The violent, often deadly, events following may have, indirectly, resulted from this action. Journalists discussed in this article put their lives in jeopardy to give the world a record of events; in some cases, dying doing so. But, their deaths may not have been accidental; evidence suggests possible intentional targeting by Syrian government forces.

Omar usually began broadcasting just before sunrise. At 5:18 a.m. (EET) in Homs on February 9, Omar started his live broadcast; the sky still dark, with only a few lights flickering around the area. Sporadic gun and rocket fire between Syrian forces and the Free Syrian Army audible on the live feed. By sunrise, gun battles had ceased, the city silent except for the occasional rooster welcoming the morning sun. As daylight broke tanks inside the city, and artillery on its outskirts, began shelling buildings and other targets. Throughout the morning, rocket fire and tank shelling could be heard getting closer and closer to Omar’s position.

At approximately 07:40 EET, nearly two-and-a-half hours into the broadcast, the camera’s microphone records the audio of the brief, but distinct, ‘whistle’ of a rocket or shell as it sails through the air. It strikes close to the camera’s position, causing it to wobble an shake, nearly tipping over; smoke obscures the camera’s view, debris falling onto it whilst sounds of parts of nearby buildings collapsing are heard.

The camera continues to film, apparently undamaged. Omar’s house isn’t so lucky, suffering a direct hit from a rocket. Out of the camera’s view, people inside the house begin to scream. Less than two minutes later, a second rocket strikes the house just above and behind the camera’s position; again, causing it to shake. The sun casts the rising smoke’s shadow on the house next door as more debris hits the camera. Further screams are heard as rubble collapses around people inside. Those inside, running and shouting, now make up most of the broadcast audio; some begin to pray, whilst others bring round a car to carry out the injured or dead. Moments later another rocket is fired, residents screaming warnings to each other of another possible incoming strike. An explosion is heard, and smoke can be seen rising, center-right of the camera shot, from the rocket striking nearby.

A few minutes later, two men are seen coming out onto their balcony and looking in the direction of the house that was just hit. They talk, looking and pointing in the direction of Omar’s house, with the sound of gunfire in the area. At 07:50, they go back inside and out of sight.

Three minutes later a rocket is fired, striking that house, exactly where the two men were standing. It is unknown if they were killed or injured in the attack, but according to Omar the attacks around his home left five dead, three women and two men; Omar himself survives unscathed.

Despite the deaths in the February 9 attack, Omar kept his camera rolling whenever awake; but, that was about to change.

February 15 was a relatively quiet morning but, as sunrise gave way to the daylight, rockets began hitting targets in the city for the eleventh consecutive day. Shortly before 08:00 EET, a small plume of black smoke appears, left side of the live broadcast, an oil pipeline having sustained its first direct hit. Moments later, a second strike on the pipeline is in-shot, also to the left of the camera’s view. The acrid smoke from this strike quickly begins to grow.

Shortly after the second hit on the pipeline Omar enters the room, moving the camera to show both strikes. Twin plumes of thick black smoke are now visible rising in the distance. Omar states the oil pipeline sustained damage from an attack by Syrian military aircraft. From a United States Department of State satellite photo taken after the bombing, the pipeline is seen near a densely populated area of the city, with farmland lying to the west. The smoke from the pipeline fire blankets nearly all of the populated area, to the east, in range of the photo.

After repositioning the camera, Omar decided to leave his house to undertake some field work; a fortuitous move as Omar stated on his Twitter stream, “after we left the house” a rocket made a direct hit on it, leaving a hole in one of the sides. There were no injuries in the attack, the building being unoccupied at the time.

With sunset closing in and the pipeline still ablaze, Omar turned off his camera, not just for the night — indefinitely. Omar now believes he is in too much danger to broadcast further, tweeting: “[I] really am confused […] am worried to turn the live camera on. It’s become very dangerous.” Omar has since left his home.

Crucial as some of the live footage may be at getting pictures of bloodshed inside Syria out; for now, much of the output which ended up hosted on Bambuser has dried up. On February 17, the Syrian government blocked access to the website and its mobile phone application. Despite government action, some isolated examples of live footage continue making their way out of Syria, mainly from mobile phones.

Bambuser speculate that Syrian authorities’ move to block access may be a result of Omar’s live footage showing the oil pipeline fire on Feburary 15. That footage was rebroadcast on several major news networks, including CNN, BBC News, Al Jazeera and Sky News.

“We believe this footage was the trigger for the Syrian government to block access to bambuser.com and disable the possibility to broadcast live video with mobile phones on Syrian 3G,” said a Bambuser statement on their website. Bambuser has been blocked previously in other countries. Access to the site was blocked by Egypt in January 2011, during their revolution. Bahrain blocked the site six months ago, and it remains blocked to this day.

Bambuser’s statement continues: “Not only have we helped them get their message out, but they also say it means much in terms of morale for everyone in this situation. They [The Syrian people] know the world is watching, sharing and it gives them hope. No matter where in the world there is unrest, we at Bambuser always do our best to support and help observers”.

Omar is not alone in being at-risk; on February 18 a funeral for three men, shot and killed by Syrian forces during an anti-government protest the prior day, was being held in the central Mezzeh district of Damascus.

Over fifteen thousand people, including women and children, filled the streets paying their respects. After a prayer, during which mourners remained completely silent, the procession turned into a mass-protest. With mourners-turned-protesters marching down the streets, the sky over Damascus darkened and snow began falling. With the change of weather appearing to embolden the protesters, their chants grew louder.

Shortly thereafter, Syrian forces surrounded the front of the march, and opening fire with live rounds and tear gas. Panicked people quickly scattered, turning the once-peaceful march into a stampede. At least one was shot and killed. Dozens of others sustained injuries. This was the first time Syrian forces opened fire on protesters in central Mezzeh.Those people are just a small fraction of those who have been killed or injured since the uprisings began. It is estimated that from five thousand to upwards of seven thousand people have been killed since January of last year. As a result, on February 20, the International Committee of the Red Cross (ICRC) announced it was attempting to negotiate a cease fire by all parties “to facilitate swift Syrian Arab Red Crescent and ICRC access to the people in need.”

The ICRC wants troops to halt their attacks in cities that have seen the most fighting in order to deliver care packages. Bijan Farnoudi, a spokesman for the Red Cross, said discussions include “several possibilities” in which the packages can be delivered. Though the organization has been delivering food and supplies to as many cities and citizens as possible, heavy fighting in areas such as the Baba Amr district of Homs has made it increasingly difficult for aid to be delivered. Even while the Red Cross worked to negotiate a cease fire, reports out of Homs on February 20 said Syrian forces were amassing troops and tanks outside the city in preparation for an all-out ground invasion. According to Omar, the shellings continued, but on February 24, the Red Cross announced it was allowed to begin evacuating injured women and children from the city.

On February 21, a member of the Homs Media Center was killed by a rocket as Syrian forces continued their bombardment of the city for an eighteenth straight day. Rami al-Sayed was reported to have been severely injured by a rocket while attempting to evacuate individuals to a makeshift hospital, during what activists call the worst day of bombardment since Syrian forces began their attack on the city on February 4. According to Bambuser, he and three others were inside a car when it was hit by a mortar, immediately killing the others. Sayed bled to death at the hospital.

Sayed was a videographer “crucial in getting the truth out through his videos posted on the Internet. We will really miss him, especially the medical team who relied on him to document all the civilian injuries and deaths on video,” said Omar in an interview with CNN. Sayed also was one of the men affiliated with the account ‘syriapioneer’ on Bambuser. Like Omar, he would broadcast live footage of the events on the ground in Homs. Bambuser published the last known message sent out to friends and family: “Babaamr is facing a genocide right now. I will never forgive you for your silence. You all have just give us your words but we need actions. However our hearts will always be with those who risk their life for our freedom. … In a few hours there will be NO place called BabaAmr and I expect this will be my last message and no one will forgive you who talked but didn’t act.” Sayed, 26, had a daughter of 18 months. In December, a citizen-journalist cousin of Sayed’s, Basil al-Sayed, was also killed. In a statement to Wikinews Omar described Sayed as “my best friend” and they both have worked as citizen journalists for about “10 months”, around the beginning of the uprisings.

The killings didn’t end there. Another two journalists were killed February 22, whilst at the Homs Media Center. Marie Colvin, a Sunday Times journalist, and award winning French photographer Rémi Ochlik, were killed when rockets hit the center. At least two others were injured in the attack, French journalist Edith Bouvier and British photographer Paul Conroy.

The Syrian government denies involvement, saying their deaths were “absolutely not” caused “by Syrian armies.” The following day Bouvier made a video plea to Syrian forces that she be allowed to leave Homs to seek medical attention. Conroy stated, despite leg wounds, he was “OK.”

Omar was in a Skype conversation with a friend at the media center when the attack took place. He recorded the call’s audio using a web camera and posted the video on YouTube; sounds of explosions and possible gunfire can be heard throughout. Reports strongly suggest the media center attack was deliberate; radio communications between Syrian government forces indicate orders to attack the building — whilst making it appear individuals died caught in a gun battle with terrorists.

It is because of situations such as that on February 16, the United Nations General Assembly (UN GA) voted, “[…] overwhelmingly to call on both the government and allied forces and armed groups to stop all violence or reprisals immediately.” The UN GA press release expressed grave concern at the Syria’s deteriorating situation and, “[…] condemned a raft of violations carried out by the authorities, such as the use of force against civilians, the killing and persecution of protesters and journalists, and sexual violence and ill-treatment, including against children.”

Calling on Syria to abide obligations under international law, the UN GA “[…] demanded that the Government, in line with the 2 November 2011 Action Plan of the League of Arab States, and its decisions of 22 January and 12 February 2012, without delay, stop all violence and protect its people, release all those detained during the unrest, withdraw all armed forces from cities and towns, guarantee peaceful demonstrations and allow unhindered access for Arab League monitors and international media.”

137 nations voted for the General Assembly’s resolution, twelve opposed and 17 abstained. As with many UN GA resolutions, the findings and conclusions are non-binding.

Earlier, on February 4, the United Nations Security Council failed to pass resolution S/2012/77, supporting Arab League actions pursuing peace in Syria. This resolution was vetoed by Security Council members China and Russia.

The Arab League’s goal, according to their report on Syria, “is to protect Syrian citizens through the commitment of the Syrian government to stop acts of violence, release detainees and withdraw all military presence from cities like Homs, and an end to violence in Syria.” The League noted Homs, Dera‘a, Idlib, and Hama as the cities primarily affected by such incidents. The report claims all such incidents were caused by “armed groups” or “entities not mentioned in the protocol [report].”

Despite the League’s claim, live footage broadcast more than a month after the report was filed suggests the opposite as tanks continued to bombard cities like Homs. The League, in their report, go on to say Syrians “believe the crisis should be resolved peacefully through Arab mediation alone, without international intervention. Doing so would allow them to live in peace and complete the reform process and bring about the change they desire.”

Omar disagrees with the League’s conclusion that Syrians do not want international intervention. He believes if “the world” doesn’t act soon, many more will die from starvation. Medical supplies have not been making their way to makeshift hospitals and food is scarce. Much of the city is without water and Syrian forces continue their assault on the city. In a statement to Wikinews on Wednesday, Omar said “if they stay like this [the world] just watching us, people will die not because of the shelling, they will die because of starvation. We are surrounded. There is no food, no water and no medical supplies. If the world doesn’t do anything we will die from starvation. In the coming days I can see a massacre from starving.”

Wednesday, October 22, 2008

Monday saw the latest edition of the vetted version of Wikipedia, which is aimed at educational use, go quietly online. The extensively revised version covers over five thousand topics, targeting the eight to seventeen years age group. Partnerships with the Shuttleworth Foundation and the Hole in the Wall project will see it distributed in South Africa and India as well as copies being available globally via the offices of SOS Children UK’s umbrella organisation, SOS Kinderdorf worldwide.

First launched in 2006 as a 4,000 article edition, the extract of Wikipedia has employed hi-tech distribution methods, as well as offering a website version which has steadily climbed up in ranking to above other reviewed Wikipedia rivals and copies; the 2007 version was available on the BitTorrent peer to peer network to keep distribution costs down and was equivalent to a fifteen-volume printed encyclopedia. Monday’s release is compared to a twenty-volume print edition.

Key to the process for selecting articles is the English National Curriculum and similar educational standards around the world. The initial vision was to bring this wealth of knowledge to schools where access to the Internet was poor or unavailable, but copies of Wikipedia for Schools can be found on many first world school intranets and web servers. Among the compelling reasons to adopt the project are the vetting and additional study materials which overcome the oft-publicised concerns many educators have with the million article plus Wikipedia that anyone can edit.

In today’s press release announcing the launch, Wikimedia Foundation Executive Director Sue Gardner expressed delight at seeing the project bring out a new version, “Our goal is to make Wikipedia accessible to as many people as possible around the world, and SOS Children is a great partner that helps us make that happen. Wikipedia is released under a free content license so that individuals and institutions can easily adapt, reuse and customize its content: we encourage others, like SOS Children, to do exactly that.”

Running 192 schools in the developing world, SOS Children sees Wikipedia for Schools as a key piece in fulfilling the educational aspect of their mission. SOS Children’s Chairwoman, Mary Cockcroft gave us an introduction and, a Wikipedia administrator himself, the charity’s CEO Andrew Cates spoke to Wikinews at length about the project.

You are part of SOS-Kinderdorf International, can you explain a little about how this works in terms of distributing funds raised in the UK and involving UK citizens in work outside the country?

Mary Cockcroft: SOS Children[‘s Villages] is a “club” of member charities in 130 countries helping orphans and vulnerable children. The club elects SOS-Kinderdorf International as secretary. SOS is a large organisation whose members in aggregate turned over $1bn in 2007, and whose projects include owning and running 192 schools and family-based care for 70,000 children. However much of these funds are raised locally, with for example the member charities in each of India, Pakistan and South Africa raise considerably more funds in their own country than SOS UK does from the UK. Nonetheless SOS Children UK principally raises funds to finance projects in the developing world, and has only financially small projects in the UK (such as the Schools Wikipedia, which is very low cost because of extensive use of volunteers). This year we expect about 80% of our UK income will leave the UK for overseas SOS associations, and some of the remaining 20% will pay for project oversight. We do not spend money in the UK on Direct Mail or TV advertising. Our UK office is involved in overseeing projects we finance and a small number of high-skilled volunteers from the UK help overseas. However around 98% of SOS staff worldwide are local nationals, as are most volunteers.

((WN)) How much work does the UK charity actually carry out within the home country? Are there failings within the government system for orphans and other needy children that you feel obliged to remedy?

MC: We are deeply unhappy about the situation of children in out-of-home care in the UK. However our care model of 168 hour-a-week resident mothers does not fit with the UK philosophy for children without parental care. Internationally SOS always has a policy of sharing best practice and we are working to improve understanding of our way of working, which appears to us to have far better outcomes than the existing one in the UK. Ultimately though the legal responsibility for these children lies with government and we cannot remedy anything without their invitation.

((WN)) Who first came up with the idea of doing a vetted Wikipedia extract? What was the impetus? Was it more for the developing world than first world?

Andrew Cates: I honestly cannot remember who first suggested it, but it came from somewhere in the Wikipedia community rather than from the charity. The original product was very much pitched at the developing world where the Internet is only available if at all over an expensive phone line. I worked in West Africa 1993-1996 and I know well at how thirsty for knowledge people are and how ingenious they will be in overcoming technical obstacles if the need for infrastructure is removed.

((WN)) In reading past year’s announcements there’s some pride in the project being picked up and used in the first world, was this expected or a pleasant surprise?

AC: It was a pleasant surprise. I don’t think we had realised what the barriers schools faced in using the main Wikipedia were. It isn’t just pupils posting material about teachers or meeting strangers: the “Random Article” button on every page could potentially deliver an article on hardcore porn. We had already started when discussion broke on banning Wikipedia from classrooms and I am sure we benefited from it.

((WN)) Can you give an outline of the selection and vetting process? Is it primarily Wikipedians working on this, or are people from the educational establishment brought in?

AC: It was a long and painful process, even with a really good database system. Articles were taken into the proposal funnel from three main sources: direct proposals for inclusion from Wikipedians, lists which came from the Release Version team and proposals drawn up from working through National Curriculum subjects by SOS volunteers. In a few cases where we felt articles were missing we asked the community to write them (e.g. Portal:Early Modern Britain, which is a curriculum subject, was kindly written just for us): These “proposals” were then looked at by mainly SOS volunteers (some onwiki, some offline). Our offices are in the middle of Cambridge and we get high quality volunteers, who skim read each article and then compared two versions from the article history by credible WP editors a significant period apart (this picks up most graffiti vandalism which runs at about 3% of articles). Once they had identified a “best” version they marked any sections or text strings for deletion (sections which were just a list of links to other articles not included, empty sections, sex scandals etc). A substantial sample of each volunteers work was then doubled checked for quality by one of two office staff (of whom I was one). We then have a script which does some automated removals and clean ups. Once we had a selection we posted it to relevant wikiprojects and a few “experts” and got any extra steers.

((WN)) Will you be making use of BitTorrent for distribution again this year? Was it a success in 2007?

AC: BitTorrent was a bit disappointing in that it got us the only substantial criticisms we received online. A lot of people find it too much effort to use. However for the period we offered a straight http: download we had huge problems with spiders eating vast bandwidth (the file is 3.5G: a few thousand rogue spider downloads and it starts to hurt). As per last year therefore our main two channels will be free download by BitTorrent and mailing the DVDs free all over the world. At a pinch we will (as before) put straight copies up for individuals who cannot get it any other way, and we have some copies on memory sticks for on distributors.

((WN)) Is it your opinion that the UK Government should be encouraging the adoption of projects like this as mainstream educational resources?

AC: Clearly yes. We have had a very enthusiastic reaction from schools and the teaching community. We think every school should have an intranet copy. We expect the Government to catch on in a few years. That is not to say that Wikipedia is as good as resources developed by teachers for teachers such as lesson plans etc. but it is a fantastic resource.

((WN)) You’re a Wikipedia administrator, all too often a thankless task. What prompted you to get involved in the first place? What are the most notable highs and lows of your involvement with the project?

AC: Funnily the thing I have found most amazing about Wikipedia is not widely discussed, which is the effect of Wikipedia policies on new editors. I have seen countless extreme POV new editors, who come in and try to get their opinions included slowly learn not only that there are other opinions to consider but that elements of their own opinion which are not well founded. Watching someone arrive often (on pages on religions for example) full of condemnation for others, gradually become understanding and diplomatic is one of the biggest buzzes there is. The downside though is where correcting things which are wrong is too painfully slow because you need to find sources. I was a post-doc at Cambridge University in combustion and I know the article on Bunsen burners has several really significant errors concerning the flame structure and flow structure. But sadly I cannot correct it because I am still looking around for a reliable source.

((WN)) Do you believe schools should encourage students to get involved contributing to the editable version of Wikipedia? Does SOS Children encourage those who are multilingual to work on non-English versions?

AC: I think older students have a lot to learn from becoming involved in editing Wikipedia.

((WN)) To close, is there anything you’d like to add to encourage use of Wikipedia for Schools, or to persuade educators to gain a better understanding of Wikipedia?

AC: I would encourage people to feed back to the project online or via the charity. The Wikipedia community set out to help educate the world and are broadly incredibly well motivated to help. As soon as we understand what can be done to improve things people are already on the task.

((WN)) Thank you for your time.

Thursday, October 4, 2007

As many as 3,200 mine workers became trapped in the in Elandsrand mine, a gold mine in South Africa about 50 miles (80 km) west of Johannesburg in Carletonville, Gauteng, after an incident on October 3. All miners have been rescued, and none of them were injured. The mine is owned by Harmony Gold Mining Corporation.

The mining company says that a lift electrical cable broke on a basket that was carrying miners, trapping thousands at least 2,200 meters (1.3 miles) below the earth’s surface. Reports from MSNBC and the Guardian Unlimited say that the shaft may have collapsed when a water or air pipe burst. The rescue operation went well with no complications, with the rescue taking just under 24 hours to complete.

“They were underground when the accident happened and they were not able to surface because an electric feeder cable that is connected to the mine lift was severed,” said a spokeswoman for the mining company, Amelia Soares. The snap was caused by a “fatigued” air pipe which burst and fell down the shaft damaging the “steelwork and electrical feeder cords,” added Soares. “They are all in good condition.”

“They are all safe. There have been no injuries or deaths,” said CEO of Harmony mining, Graham Briggs who also said that the miners were previously contacted and were given “food and water.”

Earlier reports had stated that Lesiba Seshoka, a spokesman with the National Union of Mineworkers, said that the miners have not been heard from for hours and that they could have been enduring temperatures as high as 105 degrees Fahrenheit (40 degrees Celsius).

“This is a terrible situation. The only exit is blocked, probably by a fall of ground,” said Seshoka.

Rescue workers used a mine shaft that is next to the damaged one in an attempt to reach the trapped miners, and lifted them out, 75 at a time. There was no emergency exit in the shaft which is reported to have “not been maintained for ages,” added Seshoka.

“An escape route is the most important thing and they have failed miserably. They need to ensure that the shaft is maintained. This is why we have this disaster. Our main worry is for more than 3,000 people who are underground,” said National Union of Mineworkers for S. Africa chairman, Deon Boqwana.

Current reports say that “negligence” was the initial cause for the pipe burst and that there has been a history of negligence from the mine. “We suspect negligence. Because of continuous operations there is no time to make adequate checks,” said the President of the Miners union, Senzeni Zokwana to reporters during a news conference.

The Elsrand mine is currently under development and has been since February 2001 when Harmony bought the mine. Officials state that the mine will remain closed for a minimum of six weeks, while an investigation is performed, and the mine is deemed safe for miners to continue working in it.

The mine is located in the Witwatersrand Basin of South Africa, which is said to be the location of the largest area of raw gold on the planet.

Thursday, October 4, 2007

As many as 3,200 mine workers became trapped in the in Elandsrand mine, a gold mine in South Africa about 50 miles (80 km) west of Johannesburg in Carletonville, Gauteng, after an incident on October 3. All miners have been rescued, and none of them were injured. The mine is owned by Harmony Gold Mining Corporation.

The mining company says that a lift electrical cable broke on a basket that was carrying miners, trapping thousands at least 2,200 meters (1.3 miles) below the earth’s surface. Reports from MSNBC and the Guardian Unlimited say that the shaft may have collapsed when a water or air pipe burst. The rescue operation went well with no complications, with the rescue taking just under 24 hours to complete.

“They were underground when the accident happened and they were not able to surface because an electric feeder cable that is connected to the mine lift was severed,” said a spokeswoman for the mining company, Amelia Soares. The snap was caused by a “fatigued” air pipe which burst and fell down the shaft damaging the “steelwork and electrical feeder cords,” added Soares. “They are all in good condition.”

“They are all safe. There have been no injuries or deaths,” said CEO of Harmony mining, Graham Briggs who also said that the miners were previously contacted and were given “food and water.”

Earlier reports had stated that Lesiba Seshoka, a spokesman with the National Union of Mineworkers, said that the miners have not been heard from for hours and that they could have been enduring temperatures as high as 105 degrees Fahrenheit (40 degrees Celsius).

“This is a terrible situation. The only exit is blocked, probably by a fall of ground,” said Seshoka.

Rescue workers used a mine shaft that is next to the damaged one in an attempt to reach the trapped miners, and lifted them out, 75 at a time. There was no emergency exit in the shaft which is reported to have “not been maintained for ages,” added Seshoka.

“An escape route is the most important thing and they have failed miserably. They need to ensure that the shaft is maintained. This is why we have this disaster. Our main worry is for more than 3,000 people who are underground,” said National Union of Mineworkers for S. Africa chairman, Deon Boqwana.

Current reports say that “negligence” was the initial cause for the pipe burst and that there has been a history of negligence from the mine. “We suspect negligence. Because of continuous operations there is no time to make adequate checks,” said the President of the Miners union, Senzeni Zokwana to reporters during a news conference.

The Elsrand mine is currently under development and has been since February 2001 when Harmony bought the mine. Officials state that the mine will remain closed for a minimum of six weeks, while an investigation is performed, and the mine is deemed safe for miners to continue working in it.

The mine is located in the Witwatersrand Basin of South Africa, which is said to be the location of the largest area of raw gold on the planet.

Friday, February 2, 2007

An advertising campaign for shows on Adult Swim, a programming block on Cartoon Network, which is owned by Turner Broadcasting, gave local and federal law-enforcement a scare when devices were discovered on eight different bridges and roads.

The U.S. city of Boston was snarled in traffic jams January 31 as police investigated devices with flashing lights representing a cartoon character were placed around bridges and other areas throughout the city.

Different governmental agencies were brought in to help deal with the problem, which was later found to be no threat, as described by Boston Police Department spokesperson Eddy Chrispin. A bomb squad was deployed under supervision of the FBI, Boston police, the US Coast Guard, and different federal agencies.

The advertising campaign, for the widely popular program Aqua Teen Hunger Force, featuring characters from that series, was in place for two to three weeks in Boston, New York, Los Angeles, Chicago, and many other major US cities.

Two people have been arrested for alleged participation in this incident.

Turner Broadcasting Systems hired New York marketing firm Interference Inc. which in turn hired individuals in the various cities to place the devices promoting the cartoon’s fifth season, scheduled for a February 23 premiere. Road and rail traffic was disrupted by police as they investigated and removed the devices.

The mostly flat devices resemble two-foot-square Lite-Brites with batteries attached to the bottom and visible wires.

G4TV has dubbed the incident “Aquagate” on its broadcast of Attack of the Show segment The Feed.

It is not known why the devices took police several weeks to notice, nor why the devices were believed to be dangerous.

Friday, September 28, 2007

Bat for Lashes is the doppelgänger band ego of one of the leading millennial lights in British music, Natasha Khan. Caroline Weeks, Abi Fry and Lizzy Carey comprise the aurora borealis that backs this haunting, shimmering zither and glockenspiel peacock, and the only complaint coming from the audience at the Bowery Ballroom last Tuesday was that they could not camp out all night underneath these celestial bodies.

We live in the age of the lazy tendency to categorize the work of one artist against another, and Khan has had endless exultations as the next Björk and Kate Bush; Sixousie Sioux, Stevie Nicks, Sinead O’Connor, the list goes on until it is almost meaningless as comparison does little justice to the sound and vision of the band. “I think Bat For Lashes are beyond a trend or fashion band,” said Jefferson Hack, publisher of Dazed & Confused magazine. “[Khan] has an ancient power…she is in part shamanic.” She describes her aesthetic as “powerful women with a cosmic edge” as seen in Jane Birkin, Nico and Cleopatra. And these women are being heard. “I love the harpsichord and the sexual ghost voices and bowed saws,” said Radiohead‘s Thom Yorke of the track Horse and I. “This song seems to come from the world of Grimm’s fairytales.”

Bat’s debut album, Fur And Gold, was nominated for the 2007 Mercury Prize, and they were seen as the dark horse favorite until it was announced Klaxons had won. Even Ladbrokes, the largest gambling company in the United Kingdom, had put their money on Bat for Lashes. “It was a surprise that Klaxons won,” said Khan, “but I think everyone up for the award is brilliant and would have deserved to win.”

Natasha recently spoke with David Shankbone about art, transvestism and drug use in the music business.

DS: Do you have any favorite books?

NK: [Laughs] I’m not the best about finishing books. What I usually do is I will get into a book for a period of time, and then I will dip into it and get the inspiration and transformation in my mind that I need, and then put it away and come back to it. But I have a select rotation of cool books, like Women Who Run With the Wolves by Clarissa Pinkola Estés and Little Birds by Anaïs Nin. Recently, Catching the Big Fish by David Lynch.

DS: Lynch just came out with a movie last year called Inland Empire. I interviewed John Vanderslice last night at the Bowery Ballroom and he raved about it!

NK: I haven’t seen it yet!

DS: Do you notice a difference between playing in front of British and American audiences?

NK: The U.S. audiences are much more full of expression and noises and jubilation. They are like, “Welcome to New York, Baby!” “You’re Awesome!” and stuff like that. Whereas in England they tend to be a lot more reserved. Well, the English are, but it is such a diverse culture you will get the Spanish and Italian gay guys at the front who are going crazy. I definitely think in America they are much more open and there is more excitement, which is really cool.

DS: How many instruments do you play and, please, include the glockenspiel in that number.

NK: [Laughs] I think the number is limitless, hopefully. I try my hand at anything I can contribute; I only just picked up the bass, really—

DS: –I have a great photo of you playing the bass.

NK: I don’t think I’m very good…

DS: You look cool with it!

NK: [Laughs] Fine. The glockenspiel…piano, mainly, and also the harp. Guitar, I like playing percussion and drumming. I usually speak with all my drummers so that I write my songs with them in mind, and we’ll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology I can play all kinds of sounds, double bass and stuff.

DS: Do you design your own clothes?

NK: All four of us girls love vintage shopping and charity shops. We don’t have a stylist who tells us what to wear, it’s all very much our own natural styles coming through. And for me, personally, I like to wear jewelery. On the night of the New York show that top I was wearing was made especially for me as a gift by these New York designers called Pepper + Pistol. And there’s also my boyfriend, who is an amazing musician—

DS: —that’s Will Lemon from Moon and Moon, right? There is such good buzz about them here in New York.

NK: Yes! They have an album coming out in February and it will fucking blow your mind! I think you would love it, it’s an incredible masterpiece. It’s really exciting, I’m hoping we can do a crazy double unfolding caravan show, the Bat for Lashes album and the new Moon and Moon album: that would be really theatrical and amazing! Will prints a lot of my T-shirts because he does amazing tapestries and silkscreen printing on clothes. When we play there’s a velvety kind of tapestry on the keyboard table that he made. So I wear a lot of his things, thrift store stuff, old bits of jewelry and antique pieces.

DS: You are often compared to Björk and Kate Bush; do those constant comparisons tend to bother you as an artist who is trying to define herself on her own terms?

NK: No, I mean, I guess that in the past it bothered me, but now I just feel really confident and sure that as time goes on my musical style and my writing is taking a pace of its own, and I think in time the music will speak for itself and people will see that I’m obviously doing something different. Those women are fantastic, strong, risk-taking artists—

DS: —as are you—

NK: —thank you, and that’s a great tradition to be part of, and when I look at artists like Björk and Kate Bush, I think of them as being like older sisters that have come before; they are kind of like an amazing support network that comes with me.

DS: I’d imagine it’s preferable to be considered the next Björk or Kate Bush instead of the next Britney.

NK: [Laughs] Totally! Exactly! I mean, could you imagine—oh, no I’m not going to try to offend anyone now! [Laughs] Let’s leave it there.

DS: Does music feed your artwork, or does you artwork feed your music more? Or is the relationship completely symbiotic?

NK: I think it’s pretty back-and-forth. I think when I have blocks in either of those area, I tend to emphasize the other. If I’m finding it really difficult to write something I know that I need to go investigate it in a more visual way, and I’ll start to gather images and take photographs and make notes and make collages and start looking to photographers and filmmakers to give me a more grounded sense of the place that I’m writing about, whether it’s in my imagination or in the characters. Whenever I’m writing music it’s a very visual place in my mind. It has a location full of characters and colors and landscapes, so those two things really compliment each other, and they help the other one to blossom and support the other. They are like brother and sister.

DS: When you are composing music, do you see notes and words as colors and images in your mind, and then you put those down on paper?

NK: Yes. When I’m writing songs, especially lately because I think the next album has a fairly strong concept behind it and I’m writing the songs, really imagining them, so I’m very immersed into the concept of the album and the story that is there through the album. It’s the same as when I’m playing live, I will imagine I see a forest of pine trees and sky all around me and the audience, and it really helps me. Or I’ll just imagine midnight blue and emerald green, those kind of Eighties colors, and they help me.

DS: Is it always pine trees that you see?

NK: Yes, pine trees and sky, I guess.

DS: What things in nature inspire you?

NK: I feel drained thematically if I’m in the city too long. I think that when I’m in nature—for example, I went to Big Sur last year on a road trip and just looking up and seeing dark shadows of trees and starry skies really gets me and makes me feel happy. I would sit right by the sea, and any time I have been a bit stuck I will go for a long walk along the ocean and it’s just really good to see vast horizons, I think, and epic, huge, all-encompassing visions of nature really humble you and give you a good sense of perspective and the fact that you are just a small particle of energy that is vibrating along with everything else. That really helps.

DS: Are there man-made things that inspire you?

NK: Things that are more cultural, like open air cinemas, old Peruvian flats and the Chelsea Hotel. Funny old drag queen karaoke bars…

DS: I photographed some of the famous drag queens here in New York. They are just such great creatures to photograph; they will do just about anything for the camera. I photographed a famous drag queen named Miss Understood who is the emcee at a drag queen restaurant here named Lucky Cheng’s. We were out in front of Lucky Cheng’s taking photographs and a bus was coming down First Avenue, and I said, “Go out and stop that bus!” and she did! It’s an amazing shot.

NK: Oh. My. God.

DS: If you go on her Wikipedia article it’s there.

NK: That’s so cool. I’m really getting into that whole psychedelic sixties and seventies Paris Is Burning and Jack Smith and the Destruction of Atlantis. Things like The Cockettes. There seems to be a bit of a revolution coming through that kind of psychedelic drag queen theater.

DS: There are just so few areas left where there is natural edge and art that is not contrived. It’s taking a contrived thing like changing your gender, but in the backdrop of how that is still so socially unacceptable.

NK: Yeah, the theatrics and creativity that go into that really get me. I’m thinking about The Fisher King…do you know that drag queen in The Fisher King? There’s this really bad and amazing drag queen guy in it who is so vulnerable and sensitive. He sings these amazing songs but he has this really terrible drug problem, I think, or maybe it’s a drink problem. It’s so bordering on the line between fabulous and those people you see who are so in love with the idea of beauty and elevation and the glitz and the glamor of love and beauty, but then there’s this really dark, tragic side. It’s presented together in this confusing and bewildering way, and it always just gets to me. I find it really intriguing.

DS: How are you received in the Pakistani community?

NK: [Laughs] I have absolutely no idea! You should probably ask another question, because I have no idea. I don’t have contact with that side of my family anymore.

DS: When you see artists like Pete Doherty or Amy Winehouse out on these suicidal binges of drug use, what do you think as a musician? What do you get from what you see them go through in their personal lives and with their music?

NK: It’s difficult. The drugs thing was never important to me, it was the music and expression and the way he delivered his music, and I think there’s a strange kind of romantic delusion in the media, and the music media especially, where they are obsessed with people who have terrible drug problems. I think that’s always been the way, though, since Billie Holiday. The thing that I’m questioning now is that it seems now the celebrity angle means that the lifestyle takes over from the actual music. In the past people who had musical genius, unfortunately their personal lives came into play, but maybe that added a level of romance, which I think is pretty uncool, but, whatever. I think that as long as the lifestyle doesn’t precede the talent and the music, that’s okay, but it always feels uncomfortable for me when people’s music goes really far and if you took away the hysteria and propaganda of it, would the music still stand up? That’s my question. Just for me, I’m just glad I don’t do heavy drugs and I don’t have that kind of problem, thank God. I feel that’s a responsibility you have, to present that there’s a power in integrity and strength and in the lifestyle that comes from self-love and assuredness and positivity. I think there’s a real big place for that, but it doesn’t really get as much of that “Rock n’ Roll” play or whatever.

DS: Is it difficult to come to the United States to play considering all the wars we start?

NK: As an English person I feel equally as responsible for that kind of shit. I think it is a collective consciousness that allows violence and those kinds of things to continue, and I think that our governments should be ashamed of themselves. But at the same time, it’s a responsibility of all of our countries, no matter where you are in the world to promote a peaceful lifestyle and not to consciously allow these conflicts to continue. At the same time, I find it difficult to judge because I think that the world is full of shades of light and dark, from spectrums of pure light and pure darkness, and that’s the way human nature and nature itself has always been. It’s difficult, but it’s just a process, and it’s the big creature that’s the world; humankind is a big creature that is learning all the time. And we have to go through these processes of learning to see what is right.